Eat my c**t. After looking at two very different types of queer-coded bromances in Robert Eggers’ The Lighthouse and Ron Underwood’s Tremors, we took a trip to Poland to analyze the trans allegory in the mermaid horror musical The Lure before heading back into the twisted mind of Clive Barker to discuss his infamous directorial debut, […]
The post Mothers, Daughters and German Autumns in Luca Guadagnino’s ‘Suspiria’ Remake [Horror Queers Podcast] appeared first on Bloody Disgusting!.
Joanna Hogg’s The Eternal Daughter begins like so many Gothic stories before it: a car driving along a foggy backwoods road en route to a nearly deserted mansion. The house in question is actually a hotel – one where Julie (Tilda Swinton) and her mother (also Swinton) will be staying for a few days to […]
The post ‘The Eternal Daughter’ TIFF Review – A Gothic Family Drama That Struggles to be Memorable appeared first on Bloody Disgusting!.
There’s a calculated aimlessness to Apichatpong Weerasethakul’s Memoria, particularly in the way that the writer/director’s first film English and Spanish doesn’t employ a conventional narrative structure (there’s no rising action or climax, for example). Instead, as its title suggests, Memoria is intent on exploring memories and memorials and, in the process, (re)creating them as experiences […]
“It’s like a rumble…from the core of the earth.” Pegged as a drama, the mystery in Memoria looks and “sounds” horror adjacent, which is why I figured I’d share the first trailer ahead of the Toronto International Film Festival premiere. Apichatpong Weerasethakul directs the film that the fest says features the great Tilda Swinton (Constantine, […]