Why ‘The Blackcoat’s Daughter’ Has the Best Ending of Any Contemporary Horror Film [Horror Queers Podcast]

A24 Would Never For Horror Queers first quarter, we’re exploring “underrated or underseen” films of the 2010s! After spending our January working through 2011-2014 with Scream 4, American Mary, The Lords of Salem and Housebound, we’re kicking off February with…well, February! At least that’s what Oz Perkins‘ directorial debut was originally known as before it was changed […]

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