Praising the Gold Standard of Femme Fatales in ‘Double Indemnity’ [Sex Crimes]

Back in June, when this series covered Wild Things, I introduced neo-noirs as a response in the 70s and 80s to the noirs of the 40s and 50s. Historical film buffs will know that the Hays Code, which censored Hollywood films based on moral grounds, dictated edits to plot and character until it was abolished […]

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