While Silent Hill has always been my horror franchise of choice, there are few things that give me a more intense Pavlovian response than the voice saying “RESIDENT EVIL” on the title screen of that game. The PlayStation era was an important step into video games evolving into something more cinematic, and Resident Evil was […]
The post GOG Release Brings Unchanged Original ‘Resident Evil’ Experience to Modern PCs [Review] appeared first on Bloody Disgusting!.
It’s the hottest day of the year, and everyone in town is dreaming about ways to cool down. In the world of Triangle Agency, a new tabletop RPG from Haunted Table, these thoughts have an effect on reality itself. The next thing you know, a supernatural anomaly takes shape in the form of an ice […]
The post [Review] Supernatural TTRPG ‘Triangle Agency’ Shines With Deep Gameplay and Captivating Campaigns appeared first on Bloody Disgusting!.
Maxine Minx (Mia Goth) emerged as the sole survivor of writer/director Ti West‘s X, a proto-slasher harkening back to the gritty grindhouse era for her tenacity and ruthless ambition. Its closing moments signaling Minx’s unique zeal might’ve had a lot to do with her religious upbringing. The second entry in West’s trilogy captured the technicolor […]
The post ‘MaXXXine’ Review – Ti West’s Trilogy Closes Out With Inert Tribute to the ’80s appeared first on Bloody Disgusting!.
The slasher first established itself as the dominant art form of 1980s horror by capitalizing on the calendar. Arguably beginning with Black Christmas (1974) and Halloween (1978), the formula began to solidify by setting brutal killing sprees on the dates of beloved holidays. With the subsequent success of Friday the 13th (1980), directors clamored to […]
The post ‘Happy Birthday to Me’ Novelization Review – A Horrific Slice of Bloody Birthday Fun appeared first on Bloody Disgusting!.
A Quiet Place: Day One shifts gears from previous entries, but not quite in the way you’d expect. Set in a bustling New York City where the noise levels are at a constant 90dB, the equivalent of a scream, it’s possibly one of the worst places to be for an invasion by extraterrestrials who hunt […]
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The Greater Philadelphia area’s new non-profit horror organization dedicated to supporting indie horror, Delco Horror Haven, hosted their second film premiere event this past Saturday with the screening of Porch Pirate. This is the first full-length feature film from the Philly-based Baby Goblin Productions. Porch Pirate tells the story of young, low-rent thief Bobby (Dru […]
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Rock ‘n roll and performative Satanism may be a match made in heaven, but conservative attitudes used to mean that musicians had to tread carefully when subverting religious standards in their performances. Thankfully, decades of pushed boundaries have led to mainstream audiences finally becoming a bit more lenient when it comes to musical blasphemy. That’s […]
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At only 19 years old, Australian Alice Maio Mackay is already an accomplished filmmaker. Known for low budget, indie genre films like So Vam (2021) and Bad Girl Boogey (2022), Mackay routinely tells exceptional stories about characters running from monsters and masked killers from the horrifying perspective of what it’s like to fight for your […]
The post ‘Carnage for Christmas’ Review – Imaginative Holiday Horror Movie Suffers from Overstuffed Story appeared first on Bloody Disgusting!.
In Southern California, there is a hotbed of paranormal activity known as the Anza-Borrego Desert State Park. The area called the Borrego Triangle boasts stories of UFOs, eight-foot-tall ghost skeletons, and a furry cryptid known as the Borrego Sandman. Filmmaker Zeshaan Younus and producer Trevor Dillon crowdfunded, assembled a small cast, and spent a week […]
The post ‘The Buildout’ Review – A Stunning, Mystical Odyssey into the Unknown appeared first on Bloody Disgusting!.
Death comes for all of us and when it does, those we leave behind will have to figure out how to grieve. There is no handbook or right or wrong way to do it; it is just one of the awful, unavoidable experiences that is part of being human. Sometimes grief means honoring the life […]
The post ‘The Lonely Man With the Ghost Machine’ Review – A Poignant, Comedic Meditation on Grief appeared first on Bloody Disgusting!.
Québécois filmmaker Ariana Louis-Seize’s French-language rom-com, Humanist Vampire Seeking Consenting Suicidal Person, bears a lot in common with offbeat vampire features like What We Do in the Shadows and A Girl Walks Home Alone at Night. The absurdly long title, of course, is one of the more obvious commonalities, but it’s also in the quirky lead […]
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Director Joshua John Miller has a distinctly personal perspective on William Friedkin’s seminal horror classic The Exorcist: his father, Jason Miller, played the reluctant protagonist Father Karras. Yet, seeing his father die on screen in a horror movie isn’t the sole source of inspiration behind The Exorcism, an ambitious, personal piece of meta-horror. Miller and […]
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The latest edition of the Tribeca Film Festival draws to a close in New York City, leaving another strong year for new genre premieres, retrospectives, and events in its wake. Tribeca 2024 unveiled the new premiere of Veronika Franz and Severin Fiala’s ultra-bleak The Devil’s Bath, raucous slasher AMFAD: All My Friends Are Dead, goopy sci-fi horror […]
The post Tribeca 2024 Capsule Reviews: From Folkloric ‘The Damned’ to Surreal Psychotronic ‘She Loved Blossoms More’ appeared first on Bloody Disgusting!.
Prior to booting up Still Wakes the Deep, you’re confronted with the usual suite of options that you’d expect to find in any contemporary videogame. It’s your opportunity to customise things like the gamma levels, the assorted presentation settings, your HUD preferences and of course, the language that you’ll be hearing throughout the ensuing 5-hour […]
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Joko Anwar, a driving force behind Indonesia’s modern film industry, is the creator of Netflix’s new anthology series Nightmares and Daydreams. The Satan’s Slaves filmmaker slips in and out of these seven episodes, with his fingers directly on the pulse of a select few. However, even when not personally directing or writing, Anwar’s unique touch […]
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