Let’s hold a moment of silence for the presence wasted in writer and director Harry Owens’ feature debut, The Unsettling. Leading performances are admirable, but the tediously sluggish narrative is an ambiguous slog that culminates with the impact of a handkerchief slap. Owens’ themes feel indebted to Remi Weekes’ His House and Nikyatu Jusu’s Nanny […]
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