‘Amityville: Mt. Misery Road’ Is a Short Film Barely Stretched to Feature Length [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” There have been some bad Amityville films since we ventured off the path into open IP territory. A lot of filmmakers have used the name recognition of […]

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‘Fatale’ Brings Race Into the Erotic Thriller Mix [Sex Crimes]

For all of the murder and crime that occurs in Erotic Thrillers, more often than not, the police are barely present in the subgenre. If the protagonist isn’t a cop, there might be a detective on the margins or a beat cop taking a statement at a crime scene, but more often than not, law […]

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American Giallo ‘Eyes of Laura Mars’ Is a Vision of 1970s Fashion Photography [Horror Queers Podcast]

Let’s All Chant. July wound up being another wild month as Trace and I veered all over the place. From cross-dressing serial killers in Insidious: Chapter 2 and Psycho, to trans representation in Escape Room: Tournament of Champions, to the incredibly queer cast and crew of Peaches Christ’s All About Evil. Now we’re closing out the month with an […]

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‘#Manhole’ Fantasia Review – An Exciting New Twist on the Confined Single Location Thriller

It takes a great deal of careful plotting to make a good confined single location thriller. Films such as Buried (2010), The Pool (2018), and 4×4 (2019) rely on a variety of complications to maintain tension without becoming repetitive or overstaying their welcome. It’s a delicate balance, but when it’s done well, the results can […]

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‘Where the Devil Roams’ Fantasia Review – Depression-Era Carnival Film Struggles With Its Narrative

The Adams Family are among the most exciting indie horror filmmakers working today. The prolific family of hands-on filmmakers – father John Adams, mother Tobey Poser, and daughter Zelda Adams – share writing, directing and acting credits on all of their films, including 2021’s Hellbender. Where the Devil Roams is the family’s most ambitious film yet, […]

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‘Booger’ Fantasia Review – Grief-Fueled Drama Features a Unique Kind of Body Horror

Anna (Grace Glowicki) is not okay. In writer/director Mary Dauterman’s feature directorial debut, the mid-twenties New Yorker is grieving the loss of her roommate and best friend, Izzy (Sofia Dobrushin). She’s dodging calls from her co-worker Devon for repeatedly missing work, eating questionable looking Thai take-out that Izzy left in the fridge, and refusing to […]

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Exploiting the Canadian Tax Shelter for ‘Death Weekend’ [Maple Syrup Massacre]

Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… William Fruet is one of Canada’s most important directors. He’s renowned for not only his contributions to ‘realist social dramas’ such as 1970’s Goin’ Down The Road (one of Canada’s first English language fiction […]

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The Many Queer Readings of Norman Bates in ‘Psycho’ [Horror Queers Podcast]

Baters It’s nearly time to close out the month of July, which has been another scorching hot one for Trace and me. We kicked things off with Insidious: Chapter 2 (2013) to coincide with our coverage of The Red Door, then we talked about another sequel to celebrate the two-year anniversary of Adam Robitel’s Escape Room: […]

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‘Mother, May I?’ Review – Sumptuous Psycho-Sexual Mind Games

An older woman’s dead body lies on the floor in the opening scene of writer/director Laurence Vannicelli’s Mother, May I? The camera pulls back slowly, revealing a rustic but lived-in cabin near a lake. This is followed by a brisk montage as the body is collected, cleaned, and finally incinerated before the ash is poured […]

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‘Amityville Exorcism’ Is the One That Shamelessly Rips Off ‘The Exorcist’ [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” After an “in name only” outing with Amityville Prison (aka Against The Night), there’s something reassuring about Amityville Exorcism, which delivers exactly what the title suggests. This […]

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Dissecting Two Very Different Films With ‘Escape Room: Tournament of Champions’ [Horror Queers Podcast]

Physical Media 4Eva After tackling a contemporary sequel last week with Insidious: Chapter Two, Trace and I figured we should do it again. This week we’re dissecting the sequel to queer director Adam Robitel‘s immensely popular Escape Room, which was released in 2021 as Escape Room: Tournament of Champions. In the film, survivors Zoey (Taylor Russell) and […]

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Blame Pedestrian Sex, Not Madonna, for the Failure of ‘Body of Evidence’ [Sex Crimes]

In the pantheon of Erotic Thrillers, Body of Evidence is an odd one. It falls into the even more niche sub-category of courtroom thrillers, which spend as much time on the naughty bits as they do with witnesses on the stand or in depositions (see also: Disclosure). Enter Body of Evidence. In the film, femme […]

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David Cronenberg’s ‘Crash’ – An Unconventional Erotic Thriller/Slasher

On the surface, David Cronenberg’s 1996 adaptation of J.G. Ballard’s 1973 novel Crash is a drama about an unlikely group of people who come together over their shared fascination with car crashes. The novel is written in the first person from the point of view of Ballard’s proxy, James Ballard. He’s a successful film producer […]

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‘Amityville Clownhouse’ Needs More Bozo Action [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” It was with a mix of trepidation and intrigue that I hit play on Dustin Ferguson’s Amityville Clownhouse (2020). The film, first released in 2017 under the […]

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Revisiting a Contemporary Classic With ‘Hereditary’ [Horror Queers Podcast]

Joanie, The Scammer After spending two weeks talking about dinosaurs with Tammy and the T-Rex and then Jurassic Park last week, it seemed like a good time to revisit a very serious, very somber contemporary classic: Ari Aster‘s 2018 family melodrama, Heredtiary, just in time for its 5th anniversary. In the film, grieving diorama creator Annie (Toni […]

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