It’s alive! It’s alive! It’s aliiiiiiiiiive! After wrapping up October with a look at the queer-leaning throuple in Killer Klowns From Outer Space (listen), the shifting genres of J.A. Bayona’s The Orphanage (listen), and the feminist(ish) antics of George Miller’s The Witches of Eastwick (listen), we’re kicking off November with a celebration of the Netflix […]
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