Nazi is as Nazi does. After kicking off spooky season with a look at Tim Burton’s ode to Hammer Horror in Sleepy Hollow and tackling another Friday the 13th with one of its best entries in Friday the 13th Part 2, we’re getting serious for a minute with a discussion of Bryan Singer‘s 1998 Stephen King adaptation Apt Pupil. Apt […]
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What a goose! After closing our month of erotic thrillers with a look at the Wachowski sisters’ queer neo-noir Bound and the ultra sexy queer French thriller Stranger By the Lake, we’re kicking off spooky season (and our 250th episode!) with a look at Tim Burton‘s 1999 ode to Hammer Horror: Sleepy Hollow! In Sleepy Hollow, Ichabod […]
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Christmas horror movies don’t come around too often, but every now and then we get gems like Black Christmas, Gremlins, Rare Exports and Krampus. Magnus Martens‘ evil elf horror comedy There’s Something in the Barn tries to hit that holiday horror comedy sweet spot that falls somewhere between Gremlins and Krampus, but misses the mark on both counts. […]
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When the trailer for Totally Killer was released a few weeks ago, there was a bit of an uproar on social media claiming that the film was ripping off The Final Girls (review). While there are undoubtedly similarities between the two films, Nahnatchka Khan‘s horror comedy has far more in common with something like Christopher Landon’s Happy Death […]
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While the theme of Fantastic Fest this year is occultism/Satanic panic, the “junior” theme of the fest could easily be The Wrath of Troma, given that the opening night film of the festival was the long-awaited remake of The Toxic Avenger (review) and the studio is also bringing us Heidi Moore‘s Kill Dolly Kill. It’s a micro-budget film […]
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Ovinal neo-noir. September has been the month of erotic thrillers on the Horror Queers podcast, and after spending the first two weeks discussing Brian De Palma’s controversial masterpiece Dressed to Kill and Paul Feig’s suburban noir A Simple Favor, we’re now moving into a queer cinema classic in the Wachowski sisters’ 1996 neo-noir Bound! Bound sees Violet […]
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We seem to have run the gamut of the zombie apocalypse film. Like the possession film, it’s getting to be more and more difficult for filmmakers to breathe new life into the sub-genre, with only a few managing to eke out moments of true inspiration. Enter Canadian filmmaking trio RKSS‘ (Turbo Kid, Summer of 84) […]
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It’s been a while since we’ve gotten a tried and true, serious-in-tone creature feature, or at least one in which the creature in question is a real-world animal and not a fictitious monster. This sub-genre often finds its roots planted firmly in horror comedy or, intentionally or not, camp. So it’s refreshing that Infested (formerly titled Vermin), […]
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Few fears are more universal than claustrophobia. Many of us have probably experienced that twinge of anxiety when elevator doors close behind us, but few of us have likely ever been down in the depths of a coal mine, where the elements at play have a potentially fatal outcome. This fear is what writer/director Mathieu […]
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“Do you have any idea the kind of risks a woman like me takes every time she decides to have a little bit of fun?” So says our female protagonist in writer/director JT Mollner‘s Strange Darling, a film that dares us to question the roles men and women are expected to play. Are women just prudes […]
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The Ultimate Time Capsule. We closed out August with a look at the horror elements in the non-horror film Shiva Baby, the trans empowerment of Sleepaway Camp 2: Unhappy Campers, and Park Chan-wook’s English-language debut Stoker. Now, our first episode of September kicks off a month themed after one of Joe’s favorite sub-genres: the erotic thriller! First […]
The post The Controversial Masterpiece That Is Brian De Palma’s ‘Dressed to Kill’ [Horror Queers Podcast] appeared first on Bloody Disgusting!.
St(r)oker. We closed out August with a look at the horror elements in the non-horror film Shiva Baby and the trans empowerment of Sleepaway Camp 2: Unhappy Campers. Now, we’re looking at Park Chan-wook‘s English-language debut (which was written by queer screenwriter and actor Wentworth Miller): 2013’s Stoker. Stoker sees India (Mia Wasikowska) grieving after the death of her […]
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Bitch, you dead. We closed out July with a look at Joshua Grannell’s 2010 campy horror comedy All About Evil, and kicked off July discussing the ins and outs of the photography industry in the American giallo Eyes of Laura Mars. Now we’re getting serious with a discussion on the afterlife and religion in queer director […]
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Cisgusting. We spent June discussing genderfluid dinosaurs, evil weaves and queer-coded hitchhikers, and we’re kicking off July with a discussion of the Sleepaway Camp of it all in James Wan‘s 2013 sequel Insidious: Chapter 2. Insidious: Chapter 2 sees Renai (Rose Byrne) and Josh (Patrick Wilson) Lambert recovering from their showdown with evil spirits that possessed their […]
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Fairy man. We spent June discussing a cisgender male demon trapped in a female body, genderfluid dinosaurs and evil weaves, so we’re kicking off July with a film that’s a bit more grounded: Robert Harmon‘s classic cautionary tale The Hitcher! In The Hitcher, Jim (C. Thomas Howell) picks up a hitchhiker named John Ryder (Rutger Hauer) while […]
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