The Dangers of Sex and Cruising in Gay Erotic Thriller ‘Stranger by the Lake’ [Horror Queers Podcast]

Parking Lot. What a sexy delight Erotic Thriller Month has been! We’ve tackled a diverse batch of films within the subgenre over the last four weeks, including Brian De Palma’s controversial classic Dressed to Kill, Paul Feig’s bisexual suburban noir A Simple Favor, and the Wachowski sisters’ sexy neo-noir Bound. Have we saved the best for […]

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Troma’s ‘Amityville Vibrator’ Is Silly, Self-Aware Fun [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” The opening of Troma’s Amityville Vibrator tells you everything you need to know about the tone of the film: a title card reads June 6, 1976, 6:66am. […]

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‘Tom at the Farm’ Grapples with Masculinity and Québec History [Maple Syrup Massacre]

Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… There’s a moment, very late in Tom at the Farm, when the film’s antagonist Francis Longchamp (Pierre-Yves Cardinal) wears a denim jacket with USA emblazoned on the back. The film’s protagonist – Tom (Xavier […]

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The Bisexual Energy of Paul Feig’s Suburban Noir ‘A Simple Favor’ [Horror Queers Podcast]

Brother Fucker After an amazing August filled with unusual titles like Sleepaway Camp 2: Unhappy Campers, Shiva Baby, and Stoker, last week Trace and I kicked off our latest theme month on Erotic Thrillers. First up: DePalma’s Dressed to Kill. For week two, we’re headed into unorthodox territory with a contemporary example: Paul Feig‘s bisexual suburban noir, A Simple Favor. […]

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‘Riddle of Fire’ TIFF Review – A Throwback to Children’s Quest Narratives

There’s nothing quite like a throwback film – whether it’s driven by nostalgia or executed as a creative exercise, it’s fun to see how creatives handle the material. Weston Razooli’s Riddle of Fire has all of the hallmarks of a classic ’80s children adventure film, mixed with the quaintness of a British fairytale. This is […]

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‘Sleep’ TIFF Review – Sleepwalking Turns Horrifying for New Parents

The premise of writer/director Jason Yu’s feature debut Sleep is great. Soo-jin (Jung Yu-mi) and Hyun-su (Lee Sun-kyun) are expecting parents living in an apartment with paper thin walls and contending with a lot of stress. Their downstairs neighbour complains about the barking of their dog Pepper, Soo-jin is still working in an office despite […]

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‘Working Class Goes to Hell’ TIFF Review – A Class Critique Without Bite

There’s an air of sad desperation that hangs over Working Class Goes to Hell. Things have been rough in this unnamed Serbian town since a fire at the May Day Factory killed nine people. And while the town’s wealthy elite, including a shady bar owner, organized crime boss Snowman, and even the corrupt mayor are […]

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‘Aggro Dr1ft’ TIFF Review – A Dazzling Visual Experiment With a Shallow Plot

Harmony Korine has always been a provocateur, so it’s hardly surprising that his latest film, Aggro Dr1ft, is unconventional. The 80-minute feature is filmed entirely in infrared thermal imaging, which means the production is wall-to-wall vibrant reds, yellows, blues, and neon greens. It’s a dazzling visual spectacle that radically alters the affect of the performances […]

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‘NAGA’ TIFF Review – A Tense Thriller With a Terrifying Creature Feature Set Piece

Writer/director Meshal Aljaser’s NAGA opens with a moment of shocking violence: in 1970, a man with a gun moves through the halls of a hospital, searching for his pregnant wife. When he finds her, he murders her and the male doctor, incensed that his baby boy wasn’t delivered by a female doctor as he prescribed. […]

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‘Amityville Island’ Entertains with a Silly Women-in-Prison Grindhouse Film [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” It’s time to revisit the Amityville “franchise’s” most prolific director, Mark Polonia. Thus far we’ve experienced his work on Amityville Death House (famed for its bizarre Spider […]

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Erotic Thriller Documentary ‘We Kill For Love’ Celebrates 80s and 90s Thrillers [Sex Crimes]

For the first time since beginning this editorial series, we’re discussing a documentary rather than a fiction film. That’s because Yellow Veil just released a supersized documentary about the history of the Erotic Thriller called We Kill For Love: The Lost World of the Erotic Thriller (2023). Clocking in at 163 minutes, this is a […]

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‘The Amityville Murders’ – A Ghoulish and Exploitative Look at the DeFeo Murders [The Amityville IP]

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” There’s something frustrating about a film that begins with a lot of potential, and then thoroughly squanders it. Writer/director Daniel Farrands’ The Amityville Murders is one such […]

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‘Sleepaway Camp 2’ Celebrates Its Trans Villain [Horror Queers Podcast]

Touch That Tush. August has featured an American giallo in Eyes of Laura Mars, a Spanish ghost story in The Others, and a Jewish horror comedy in Shiva Baby. Now it’s time to head back to literal summer camp with director Michael A. Simpson‘s very silly horror comedy: Sleepaway Camp 2: Unhappy Campers (1988). In […]

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Fiction and Documentary Collide in ‘Fake Blood’ [Maple Syrup Massacre]

Maple Syrup Massacre is an editorial series where Joe Lipsett dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… Fake Blood is a delicious curiousity: it’s a documentary about director Rob Grant and his frequent collaborator Mike Kovac, who also co-writes, exploring their responsibility in depicting cinematic violence. Or at least that’s how […]

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‘Shiva Baby’ Is a Secret Jewish Horror Film [Horror Queers Podcast]

Sugar Goop. We kicked off August discussing the ins and outs of the photography industry in the American giallo Eyes of Laura Mars before getting serious with a discussion on the afterlife and religion in queer director Alejandro Amenábar‘s The Others. Now we’re somewhere in between drama and comedy with writer/director Emma Seligman‘s raucous comedy slash anxiety-driven Jewish […]

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