The 10 Best Horror Movies Streaming on Tubi [December 2025]

A new month means a new streaming guide as titles are added (and dropped) from streaming services. Let’s unpack the most exciting titles that are available to watch on Tubi in December 2025. New to Tubi December Horror Films Climax (2018) Premise: French dancers gather in a remote, empty school building to rehearse. The all-night […]

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The Campy Delights and Dicey Racial Politics of ‘The Skeleton Key’ [Horror Queers Podcast]

After spending the last few weeks on J.A. Bayona’s ghost story The Orphanage (listen), Jack Nicholson’s commanding performance in George Miller’s The Witches of Eastwick (listen), and a timely discussion of James Whale’s Frankenstein (listen), we needed some mid-aughts comfort food. Enter Iain Softley’s 2005 film The Skeleton Key, a Southern Gothic tale about Caroline (Kate Hudson), an impressionable […]

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The Ocean is a Killer in 2000’s ‘The Perfect Storm’ [Murder Made Fiction Podcast]

After spending the entirety of October tackling Ed Gein titles such as Monster: The Ed Gein Story, as well as Deranged and In The Light of the Moon, as well as Peacock’s limited Devil in Disguise: John Wayne Gacy series, Jenn and I needed a break from human serial killers. For November, we’re turning our attention to Aquatic Disasters: real […]

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The Shifting Genres of J.A. Bayona’s ‘The Orphanage’ [Horror Queers Podcast]

Scary Sad. Horror Queers Podcast has spent October celebrating 30 years of To Die For (listen), 50 years of Cronenberg’s feature debut Shivers (listen) and the ingenuity of the Chiodo Brothers’ Killer Klowns from Outer Space (listen). Now we’re closing out scary season with a classic contemporary ghost story with J.A. Bayona‘s The Orphanage (2007). In the […]

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‘Shelby Oaks’ $1M Reshoots: What Changed From The Festival Cut to the Version Now In Theaters?

With Shelby Oaks, writer/director Chris Stuckmann made the leap from YouTube to theatrical film. But his feature directorial debut, which is now playing in theaters, doesn’t look the same as it did when it played the festival circuit in 2024.  Shelby Oaks follows Mia (Camille Sullivan), a woman who has been obsessively searching for her […]

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‘Deranged’ Is Low Budget Canuxploitation Take on Ed Gein [Murder Made Fiction Podcast]

Jenn and I are in the midst of tackling all of the fictional adaptations of Ed Gein on Murder Made Fiction podcast, following past coverage on Psycho, The Texas Chain Saw Massacre, The Silence of the Lambs, House of 1000 Corpses, and, most recently, Monster: The Ed Gein Story. There are two more prominent texts to […]

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‘The Hand That Rocks The Cradle’ Review – Hulu Remake Dials Back the Crazy

Stop me if you’ve heard this before: a well-to-do white family hires a “too good to be true” nanny to help with the children and quickly discovers that she’s not the perfect aide they hoped for. That’s the plot of both the 1992 movie The Hand That Rocks The Cradle, as well as the new 2025 […]

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‘R.L. Stine’s Pumpkinhead’ Review – Tubi Original Is Prime Gateway Horror for Halloween

There’s something off about Red Haven. In R.L. Stine’s Pumpkinhead, the new Tubi original written and directed by Jem Garrard (Slay), it’s pretty evident that there’s more to the bountiful harvest and cheerful farmer’s market than meets the eye. Of course, this is par for the course for a Stine text, which typically wastes no […]

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‘On Gallows Hill’ Review – Indie Horror Film Tweaks The Vampire Rules [TADFF]

It’s hard to come up with a new take on the vampire film. So much of the lore has been established, it’s easy to fall back on the common conventions of the subgenre. Writer/director Edward Shimborske doesn’t exactly reinvent the wheel, but he does have enough tweaks to make On Gallows Hill (2025) feel fresh. […]

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The Rampant Sexuality of David Cronenberg’s ‘Shivers’ [Horror Queers Podcast]

Taxpayer Funded Sex Slugs. After wrapping up September with Alfred Hitchcock’s The Birds (listen), debating the merits of The Strangers: Chapter 1 (listen) and celebrating 30 years of To Die For (listen), it’s time for a David Cronenberg milestone: 50 years since his genre feature film debut, Shivers (1975). In the film, Starliner Tower is an exclusive, isolated […]

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‘Match’ Review – An Uneven Tubi Exploitation Thriller

Match, the latest film from director Danishka Esterhazy (The Slumber Party Massacre remake, Killer Body Count) doubles down on the meaning of its title. On the surface, it’s very clearly about protagonist Paola (Humberly González) ‘s attempts to “match” with men on dating apps. Because the film is a dating horror movie, it’s unsurprising when […]

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The Perils of Reviewing 1/3 of a Movie with ‘The Strangers: Chapter 1’ [Horror Queers Podcast]

1/3 of a Movie. After celebrating our 350th episode with From Dusk Till Dawn (listen), revisiting Katsuhiro Otomo’s iconic anime Akira (listen), and stopping over in Bodega Bay for Alfred Hitchcock‘s The Birds (listen), Trace and I have opened the Horror Queers Patreon vault to release our full-length episode on Renny Harlin‘s The Strangers: Chapter 1. […]

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Shoehorning A Legend Into The Conjuring Universe with ‘The Curse of La Llorona’ [Murder Made Fiction Podcast]

Throughout September, Murder Made Fiction podcast has been discussing  La Llorona – first with a primer (listen here), then 1933 Mexican film The Crying Woman (listen here), as well as 1963 film ⁠The Curse of the Crying Woman⁠ (listen here). Now we’re into contemporary times with director Michael Chaves‘ Hollywood production, The Curse of La Llorona (2019). Starring Linda Cardellini […]

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In Its Finale, ‘Alien: Earth’ Creates A New World Order [Horror Queers Podcast]

Spoilers for Episode 8 (“The Real Monsters”) of Alien: Earth to follow. It’s finale time for Noah Hawley‘s Alien: Earth and all Trace and I can say about the ending is that this better only be the season one finale because we need another season ASAP. Written by Hawley & Migizi Pensoneau, “The Real Monsters” starts […]

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‘Curse of the Crying Woman’ – Bad La Llorona Adaptation, But a Great Time [Murder Made Fiction Podcast]

Mexican Gothic. After kicking off September with a primer on La Llorona (listen here), Jenn and I began looking at texts with one of the earliest Mexican horror films made in sound: The Crying Woman from 1933 (listen here). This week, we jumped ahead 30 years, but stayed in Mexico for Rafael Baledón‘s ⁠The Curse […]

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