The 10 Best Horror Movies Streaming on Tubi [February 2026]

A new month means a new streaming guide as titles are added (and dropped) from streaming services. Let’s unpack the most exciting titles that are available to watch on Tubi in February 2026. New to Tubi February Horror Films All Souls (2023) Premise: A young confidential informant is sent on a dangerous undercover operation. It’s […]

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2025’s ‘Ed Kemper’ Is An Early Aughts Throwback [Murder Made Fiction Podcast]

Throughout January, Murder Made Fiction podcast is examining the killers that are being interviewed on season one of David Fincher‘s Mindhunter. This ties into our Patreon episode-by-episode discussions, while also allowing us to cover a few of the killers that we haven’t discussed in detail, such as Edmund Kemper. Kemper is obviously one of the […]

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BD’s ‘Horror Queers’ Celebrate Best Horror of 2025 with Sixth Annual “Hereditaries”; Vote Now!

Six years ago, following the lack of recognition at the Oscars for horror films, Trace Thurman and I created “The Hereditaries“ (named after Toni Collette’s Hereditary omission), a series of horror awards to acknowledge all of the great work being done in the genre. We’re now up to the sixth annual Hereditaries (click here to vote), […]

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Murder Made Fiction Podcast Celebrates the Best and Worst True Crime of 2025

2025 was a banner year for Murder Made Fiction: in addition to celebrating our anniversary, it was the first full year of the podcast. This gave Jenn and I the excuse to consider the diverse range of fictionalized true crime titles that debuted last year. With that in mind, we wanted to celebrate a few […]

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‘Influencers’ Review – Shudder Sequel Provides a Great Game of Cat and Mouse

The benefit of a sequel is that you can hit the ground running. The lore, the characters, even the narrative format, have all been established, so filmmakers can dispense with the formality of introducing everything except the new plot. Writer/director Kurtis David Harder absolutely embraces this approach for his sequel, Influencers. Building off the events […]

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The Campy Delights and Dicey Racial Politics of ‘The Skeleton Key’ [Horror Queers Podcast]

After spending the last few weeks on J.A. Bayona’s ghost story The Orphanage (listen), Jack Nicholson’s commanding performance in George Miller’s The Witches of Eastwick (listen), and a timely discussion of James Whale’s Frankenstein (listen), we needed some mid-aughts comfort food. Enter Iain Softley’s 2005 film The Skeleton Key, a Southern Gothic tale about Caroline (Kate Hudson), an impressionable […]

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The Ocean is a Killer in 2000’s ‘The Perfect Storm’ [Murder Made Fiction Podcast]

After spending the entirety of October tackling Ed Gein titles such as Monster: The Ed Gein Story, as well as Deranged and In The Light of the Moon, as well as Peacock’s limited Devil in Disguise: John Wayne Gacy series, Jenn and I needed a break from human serial killers. For November, we’re turning our attention to Aquatic Disasters: real […]

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The Shifting Genres of J.A. Bayona’s ‘The Orphanage’ [Horror Queers Podcast]

Scary Sad. Horror Queers Podcast has spent October celebrating 30 years of To Die For (listen), 50 years of Cronenberg’s feature debut Shivers (listen) and the ingenuity of the Chiodo Brothers’ Killer Klowns from Outer Space (listen). Now we’re closing out scary season with a classic contemporary ghost story with J.A. Bayona‘s The Orphanage (2007). In the […]

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‘Shelby Oaks’ $1M Reshoots: What Changed From The Festival Cut to the Version Now In Theaters?

With Shelby Oaks, writer/director Chris Stuckmann made the leap from YouTube to theatrical film. But his feature directorial debut, which is now playing in theaters, doesn’t look the same as it did when it played the festival circuit in 2024.  Shelby Oaks follows Mia (Camille Sullivan), a woman who has been obsessively searching for her […]

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‘Deranged’ Is Low Budget Canuxploitation Take on Ed Gein [Murder Made Fiction Podcast]

Jenn and I are in the midst of tackling all of the fictional adaptations of Ed Gein on Murder Made Fiction podcast, following past coverage on Psycho, The Texas Chain Saw Massacre, The Silence of the Lambs, House of 1000 Corpses, and, most recently, Monster: The Ed Gein Story. There are two more prominent texts to […]

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‘The Hand That Rocks The Cradle’ Review – Hulu Remake Dials Back the Crazy

Stop me if you’ve heard this before: a well-to-do white family hires a “too good to be true” nanny to help with the children and quickly discovers that she’s not the perfect aide they hoped for. That’s the plot of both the 1992 movie The Hand That Rocks The Cradle, as well as the new 2025 […]

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‘R.L. Stine’s Pumpkinhead’ Review – Tubi Original Is Prime Gateway Horror for Halloween

There’s something off about Red Haven. In R.L. Stine’s Pumpkinhead, the new Tubi original written and directed by Jem Garrard (Slay), it’s pretty evident that there’s more to the bountiful harvest and cheerful farmer’s market than meets the eye. Of course, this is par for the course for a Stine text, which typically wastes no […]

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‘On Gallows Hill’ Review – Indie Horror Film Tweaks The Vampire Rules [TADFF]

It’s hard to come up with a new take on the vampire film. So much of the lore has been established, it’s easy to fall back on the common conventions of the subgenre. Writer/director Edward Shimborske doesn’t exactly reinvent the wheel, but he does have enough tweaks to make On Gallows Hill (2025) feel fresh. […]

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The Rampant Sexuality of David Cronenberg’s ‘Shivers’ [Horror Queers Podcast]

Taxpayer Funded Sex Slugs. After wrapping up September with Alfred Hitchcock’s The Birds (listen), debating the merits of The Strangers: Chapter 1 (listen) and celebrating 30 years of To Die For (listen), it’s time for a David Cronenberg milestone: 50 years since his genre feature film debut, Shivers (1975). In the film, Starliner Tower is an exclusive, isolated […]

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‘Match’ Review – An Uneven Tubi Exploitation Thriller

Match, the latest film from director Danishka Esterhazy (The Slumber Party Massacre remake, Killer Body Count) doubles down on the meaning of its title. On the surface, it’s very clearly about protagonist Paola (Humberly González) ‘s attempts to “match” with men on dating apps. Because the film is a dating horror movie, it’s unsurprising when […]

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